Payne's Grey · 2026
The west front of Notre-Dame crossed by shafts of light — towers and rose window emerging from Payne's grey, bright diagonals breaking across the stone.

This piece is part of my collection. Originals will soon be available to buy online — write to me in the meantime.
The subject
The great cathedral of Paris, drawn not as a façade to be catalogued but as light — the rose window and the pointed arches caught in slanting beams, in Payne’s grey with the brightness cut out of the shadow.
Notre-Dame de Paris, begun in 1163 on the Île de la Cité, is the heart of French Gothic: twin towers, flying buttresses, three great rose windows. The fire of 2019 nearly took it; its reopening in 2024 made the whole world exhale.
I was less interested in listing the sculpture than in the way light pours through and across that west front — so I drew the beams themselves, cutting pale diagonals over the stone.
The grey does the rest: deep in the arches, almost white where the light lands.
I drew the light more than the stone — the cathedral as a thing the sun passes through.
Ink carries the tracery and the arches; the Payne’s grey is laid in washes and then lifted out again for the shafts of light.
It is a companion to my colour drawing of the same cathedral — the same face, seen this time almost as a negative, all shadow and shine.
See also · Payne’s Grey Notre-Dame de Paris · Cupola del Brunelleschi a Firenze · Pagoda a Kyoto