Payne's Grey · 2026
Brunelleschi's dome seen close, its ribs curving up to the lantern — drawn in ink and a single grey, so that only the form remains.

This piece is part of my collection. Originals will soon be available to buy online — write to me in the meantime.
The subject
The dome that crowns Florence — the cupola of Santa Maria del Fiore — is still the largest masonry dome ever raised, and the one that announced the Renaissance to the world.
Filippo Brunelleschi won the commission in 1418 and closed the vault in 1436, building it without the timber centring everyone said was indispensable — a double shell of brick laid in a self-supporting herringbone pattern. No one has ever fully explained how he managed it.
Seen over the rooftops it is simply the city’s great fact: octagonal, ribbed, the lantern on top, impossible to ignore from any street.
I drew it in grey so that the shape and the ribs carry the whole thing.
The dome that shouldn’t stand up, and has for six hundred years — I drew its ribs like the bones they are.
Ink for the ribs and the lantern, a grave grey wash for the curve of the shell and the rooftops it rises from.
There is a colour version of the same dome in my sketchbook; here I wanted only its weight and its geometry.
See also · Payne’s Grey Palazzo Vecchio a Firenze · Notre-Dame nella Luce · Brunelleschi’s Dome sketch