Payne's Grey · 2026
A Victorian chimney standing alone in the grey — thin, stubborn, still holding up the sky above a vanished factory.

This piece is part of my collection. Originals will soon be available to buy online — write to me in the meantime.
The subject
Across the north of England the one thing that still rises above the rooftops of the old mill towns is the chimney — tall, tapering, often beautifully built — and this is a portrait of one of those industrial giants.
The great textile mills of the Victorian age ran on steam, and steam needed chimneys: brick towers of a hundred feet and more, sometimes dressed up like Italian campaniles, their builders proud enough to ornament the very top. They were the cathedrals of industry.
Many have since come down. The survivors stand oddly noble now, stripped of the smoke and soot that were their whole purpose.
Payne’s grey is almost the literal colour of the subject — soot and brick and a northern sky.
A working chimney keeps a strange dignity once the smoke is gone — grey felt like the only honest colour for it.
I drew it rising clean out of the terraced roofs, the ornamented cap at the top, the long shaft falling to the mill below.
It is a monument to work rather than to kings — which is exactly why I wanted to draw it.
See also · Payne’s Grey Porta a Edimburgo · Faro di Beachy Head · Mulino di Kinderdijk